Friday, June 23, 2006
In the Amstel Station, Amsterdam - November 2005
The Geography of the House
(for Christopher Isherwood)
Seated after breakfast
In this white-tiled cabin
Arabs call the House where
Everybody goes,
Even melancholics
Raise a cheer to Mrs.
Nature for the primal
Pleasure She bestows.
Sex is but a dream to
Seventy-and-over,
But a joy proposed un-
-til we start to shave:
Mouth-delight depends on
Virtue in the cook, but
This She guarantees from
Cradle unto grave.
Lifted off the potty,
Infants from their mothers
Hear their first impartial
Words of worldly praise:
Hence, to start the morning
With a satisfactory
Dump is a good omen
All our adult days.
Revelation came to
Luther in a privy
(Crosswords have been solved there)
Rodin was no fool
When he cast his Thinker,
Cogitating deeply,
Crouched in the position
Of a man at stool.
All the arts derive from
This ur-act of making,
Private to the artist:
Makers' lives are spent
Striving in their chosen
Medium to produce a
De-narcissus-ized en-
During excrement.
Freud did not invent the
Constipated miser:
Banks have letter boxes
Built in their façade
Marked For Night Deposits,
Stocks are firm or liquid,
Currencies of nations
Either soft or hard.
Global Mother, keep our
Bowels of compassion
Open through our lifetime,
Purge our minds as well:
Grant us a kind ending,
Not a second childhood,
Petulant, weak-sphinctered,
In a cheap hotel.
Keep us in our station:
When we get pound-notish,
When we seem about to
Take up Higher Thought,
Send us some deflating
Image like the pained ex-
-pression on a Major
Prophet taken short.
(Orthodoxy ought to
Bless our modern plumbing:
Swift and St. Augustine
Lived in centuries
When a stench of sewage
Made a strong debating
Point for Manichees.)
Mind and Body run on
Different timetables:
Not until our morning
Visit here can we
Leave the dead concerns of
Yesterday behind us,
Face with all our courage
What is now to be.
W.H. Auden
Wednesday, June 21, 2006
In the Louvre Museum - June 2006
The day was warm; he was heated with walking, and he repeatedly passed his handkerchief over his forehead, with a somewhat wearied gesture. And yet he was evidently not a man to whom fatigue was familiar; long, lean, and muscular, he suggested the sort of vigor that is commonly known as "toughness."
Henry James
